See also the German and French reviews (—> Siegbert Rampe – Presse).
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»This volume follows the same high standards that we expect from Bärenreiter’s Urtext editions. There is a very full critical commentary and an exhaustic discussion of the sources of the music, with variant readings all carefully logged. There are also extensive notes on performance practice.«
THE ORGAN |
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»I consider this book to be the ultimate book on Mozart for keyboard – his instruments, music and interpretation, and it pulls together the combined knowledge that is available today.« CLAVICHORD INTERNATIONAL |
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»In the Volume under review, we are presented with a first-class edition that should meet the needs of the most fastidious and meticulous of scholars as well as performers. [...] Siegbert Rampe is ermerging as one of the foremost scholars and editors of the 17th century repertoire, and this publication will set a benchmark for future scholastic investigation.« THE DIAPASON |
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»Mr Rampe’s energies, already evident in other editions noticed in these pages, are positively infectious, as he surveys the composers, the sources, previous editions, practical matters of performance, the organs involved, and matters arising, in addition to a critical commentary on the musical works edited.« THE ORGAN YEARBOOK |
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»I consider this book to be the ultimate book on Mozart for keyboard – his instruments, music and interpretation, and it pulls together the combined knowledge that is available today.« CLAVICHORD INTERNATIONAL |
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»Mr Rampe’s energies, already evident in other editions noticed in these pages, are positively infectious, as he surveys the composers, the sources, previous editions, practical matters of performance, the organs involved, and matters arising, in addition to a critical commentary on the musical works edited.« THE ORGAN YEARBOOK |
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»We can be grateful to Siegbert Rampe and Bärenreiter for making this music available to us in such a fine edition.« EARLY KEYBOARD JOURNAL |
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